Publicis 100
02

Preparation

Five months from booked venue to delivery. What guests experienced in a single day was built from hundreds of decisions about content, guest flow, design, technology, responsibility and budget.

The organisation

From seven to more than 200, and back

Kehitys is built to grow when an assignment requires it and shrink when it is done. The core is seven people with specialist expertise in complex project management, show calling, technology, stage, artist management, guest flow and digital development. Around them are specialists we have worked with for years, and during an assignment they are part of our team, with the same brief, the same running order and the same line of contact.

For Publicis 100 the team grew from seven people to 79 on the event day. Together with Grand Hôtel and Publicis’ own teams, more than 200 people worked on the same day. The evening after, Kehitys was back to seven.

THE ORGANISATIONFROM SEVEN TO MORE THAN 200, AND BACK7SPRINGThe core team7925 SEPTEMBERKehitys and specialist teamsKehitys 79Grand Hôtel 115Publicis 1220625 SEPTEMBEREveryone at work the same day726 SEPTEMBERBack to the coreKehitys scales up when the assignment requires it and down when it is done. Publicis pays for the team, not for overhead.
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ONE LINE OF CONTACTPUBLICIS SPOKE WITH MANDATE, NOT WITH A NETWORKPUBLICISEmma ThorpDecision-makerAndreas FyrlundPartners and financingTara TaghianMandate on siteONE LINEKEHITYSAddeProductionAronThe clock and every cueTechnology and stage18Build and design25Content, photo booth, floral16Core team and hosts16Security4The guest platformliveSPECIALIST TEAMS ON THE DAYGrand Hôtel115More than 200 people at work. Every question had one person with the mandate to decide.
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What it meant for Publicis

One line of contact.

Publicis only dealt with key people at Kehitys who had the mandate to make decisions: Adde for the production and Aron for the clock. On the Publicis side, Tara Taghian had the same mandate.

Everyone knew their role.

Eleven functions each had an owner, and 25 people received their own role briefing, including Publicis employees. The leadership could be hosts instead of holding the production together.

No overhead.

Publicis pays for the team the assignment requires, not for an organisation that stands still between events.

The guest list

Curated, name by name

The guest list was the project’s most important strategic tool. Jimmy Bolander and Publicis’ account managers chose the names client by client, and Kehitys managed the replies and follow-up in the guest platform.

1,028 people in five segments were invited: clients, prospects, media, influencers and employees in Sweden and Denmark. In August, 73 % of employees had replied but only 37 % of clients. Follow-up by each account manager turned it around: in the end, 181 of 441 invited clients accepted. A separate evening list of 88 names from media, talent and future employees kept the energy up as the seminar audience thinned out.

441clients invited, 181 accepted
88invited to the evening only
549guests on site

The guest platform

One system for the entire event

Most events run on a string of different systems: a sign-up form, an email tool, a paper guest list at the door, cloakroom tickets, tills at the bar and a photographer who emails a link a week later. Publicis 100 ran on a single system, and Kehitys built it from scratch.

An invitation that became a relationship

All 1,028 guests received a personal invitation with their own link. The link was not just a sign-up. It was the guest’s way into the whole anniversary, from June to the day after. That is where guests accepted, listed allergies and gave photo consent. That is where the programme arrived as speakers were announced, along with practical information before the day, the pass, the room assignment, the drink tickets and finally their own photo gallery. Guests never had to look for anything. Everything was already in the link.

All communication through one channel

Just over 5,000 emails in 17 versions went out from Publicis’ own sender, tailored to where each guest was in the process. Those who had accepted got the programme, those who had not replied got another chance, and those invited only to the evening got their own invitation. During the evening, communication with 549 guests was coordinated through a total of 1,913 messages and push notifications: which room to go to, when a drink was on offer and who had won.

The guards’ system and the bar’s till

The same platform was the staff’s working tool. Guards checked guests in with the QR code on their pass, with name search as backup. At peak, 166 guests came in within fifteen minutes. The bar worked as a cashless till. Guests chose a drink and the bartender scanned the pass with an iPad. No cash or cards were handled and no transactions went through Grand. Every drink was recorded: 1,952 drinks at six bars. That gave Publicis its own independent figure to check against the invoice. Unused tickets went back into the pool, so Publicis paid for what was actually served.

Real-time control

Because everything was in one system, the evening could be steered while it was happening. At 17.09 every guest received their room assignment at once. When the bar got too crowded, Bar 6 was opened. Two rounds of “A drink on Publicis” went out to more than 450 guests each, within minutes. The partners were visible directly in the bar menu.

Insights that would otherwise have been lost

The platform showed the response rate in time, and follow-up by each account manager meant that 181 of 441 invited clients eventually accepted. Publicis now knows who accepted, who attended, who took part in the competitions and who stayed into the evening, per client and per account manager. Data on arrivals, bar pressure and drink choices remains as a basis for the next event.

Competitions in the same link

Two competitions ran in the guest platform. In the TUI quiz, guests answered questions in their link, with TUI gift cards as the prize. In the Mini MBA competition, Mark Ritson donated a place on his course. 258 guests took part, and the winners were shown simultaneously in the platform and on the stage screens.

The winner of the TUI quiz on the stage LED screen
The winner of the TUI quiz shown on the stage screens.

The platform is owned and maintained by Kehitys. It is built to be used again.

THE GUEST PLATFORMONE LINK FOR THE ENTIRE GUEST JOURNEY1 028JUNEInvitationpersonal links5 000+JULY–AUGSpeakers announcedemails in 17versions563REPLIESAccepted263 employees,300 external54913Pass at the entranceguests, 363in the first hour117Roomsnotification to allguests at once5 582EVENINGBar & alertsdrinks · 1,913notifications556THE DAY AFTERPhoto gallerypersonalgalleriesONE LINK · ONE SYSTEM · FROM JUNE TO THE DAY AFTERInvitation, pass, room assignment, bar, competitions and gallery in the same link. No cash, no app to download.
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Brand identity

Leo wrote the guidelines. We brought them to life.

Leo created the anniversary’s brand guidelines, with the 100-year logo from Paris at the centre. Kehitys’ task was to turn them into something guests experienced. Paloma led the design, and the identity followed the guest through the entire journey.

Before the event.

The web platform and all emails, invitations, flyers for every speaker and artist, playlists and content for social channels.

At the entrance.

The logo on the carpet, black and gold from the first step, photo walls like the red carpet at a premiere, signage and wayfinding.

On stage.

The presentation template the speakers built their presentations in, screen graphics and name animations, and stage design in black and gold.

During the evening.

The DJ booth front, VJ graphics, menus, coasters, napkins and cloakroom tags.

In the details.

Stickers on the mirrors, all the way into the restrooms.

What went home with them.

The goodie bag, the letter, the lion and the Publicis 100 collection.

Afterwards.

The thank-you email, the photo gallery and the report you are reading now.

Mirror with the 100-year logoThe entrance in black and gold
The identity followed the guest from the carpet at the entrance to the mirror in the restroom.

Set design

The thinking, and how it was approved

The scenography was planned room by room, in the order the guest encounters them. Everything was free-standing and adapted to a listed building.

3D sketch of the entrance3D sketch
The entrance on the dayEvent day
3D sketch of the stage during the seminar3D sketch
The stage during the seminarEvent day
3D sketch of the stage in the evening3D sketch
The DJ booth in the eveningEvent day
3D sketch of the lounge3D sketch
The lounge in the eveningEvent day
Entrance

A clear first impression

The logo on a carpet, black florals and gold walls. No queue, just one way in.

Cloakroom → photo

The photo wall after the cloakroom

Coats off first, then the photo. A clear photo wall to capture key people.

Stage

Clean and symmetrical

Three LED screens, black carpet and flowers on pedestals. Calm graphics between the speakers that did not compete with the content.

Lounge and photo booth

Where guests linger

A lounge by the bar and a photo booth with prints and a gold backdrop.

Details

The details that carry the brand

Napkins, coasters, menu cards, mirrors and black flowers.

Exit

The last impression

A dedicated goodie bag station at the exit, separate from the cloakroom queue.

The goodie bag

The lion that went home with them

The lion has been Publicis’ symbol for a hundred years. In September it took on a new form: a plush lion in a black T-shirt with 100 YEARS on the chest, made exclusively for the anniversary. It was the heart of the goodie bag, and the idea was that it would end up on desks and key rings among clients and employees long after the evening.

The plush lion in a black T-shirt with 100 YEARSThe bag in matte black with gold foilThe letter in a white envelope with gold embossing

The whole goodie bag was built on the same idea: it should live on. We did not want a bag that gets thrown away in the cloakroom on the way home. We wanted a format Publicis can keep using. The bag was positioned like a luxury brand: 300 g premium board, matte soft touch, the logo embossed in gold foil, cotton ribbon handles and reinforced corners. It is made to be used again, and Publicis can fill it with clients’ products for future sampling and seeding.

Each bag also contained a personal letter on heavy premium paper in a white envelope with gold embossing, stickers with the 100-year logo in gold on matte black, and a reflective lion.

A bag that also became a channel

Publicis’ account managers offered their clients the chance to put products in the bag, and the goodie bag became a sampling channel for clients on the night itself. Kehitys organised the logistics to the Publicis office, where Katharina Hessling, Emmy and Mikalinn, together with interns, received the products and packed 700 bags. They were transported to Grand and handed out at the exit in three waves. The surplus from the collection remains with Publicis for seeding.

700goodie bags packed
250books, handed out personally by account managers
1lion, made exclusively for the anniversary

Working with Grand

A historic house. A purpose-built solution.

Everything was planned closely with Grand Hôtel. A lot had to be turned and repackaged to fit both the building’s constraints and Publicis’ goals.

Walking dinner in Royals

Kehitys held five planning meetings with Grand and went through every part of the day: flows, capacity per room, food and drink, technology, cloakroom and the changeover.

Some of the questions solved together: where 550 chairs would go during the changeover, how the raisable floor could be operated without guests in the room, how the cloakroom would hold both day and evening guests, and how the upper floor would receive guests during the walking dinner.

5planning meetings
17 Aprilvenue booked
785 m²in the Winter Garden
3 roomsWinter Garden, Royals, Bolinderska

Partners

Partners who became part of the whole

Andreas Fyrlund secured the partner agreements. Kehitys’ task was to make the partners part of the experience, not logos on a wall. Each partner was given a role that suited them and gave the guests something.

PARTNERSTHREE LEVELS, ONE SENDERPUBLICISAmazon AdsBonnier NewsSeenThisTUIZYNACOLöfbergs LilaLEGOMarabouFINANCIAL PARTNERSvisible in the content and co-financedON SITEactivations during the eveningIN THE GOODIE BAGclients’ products in 700 bagsPublicis at the centre. Each partner was given a role that gave guests something, not a logo on a wall.
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Thank-you to the partners on the stage screen: Amazon Ads, Bonnier News and SeenThisThe ZYN stand by the dance floor

Financial partners

Amazon Ads, lead partner.

Amazon Ads brought Dr. Jana Werner to the stage and presented her to Publicis’ clients and partners. They were the largest and first among the partners on screen, and their name was carried through communication before and after the day.

Bonnier News.

Bonnier News was part of all communication before and during the day and activated the largest bar on site. Its signature drink had ingredients and colours that reflected Bonnier News’ visual identity, so the brand was in the glass of every guest who ordered it.

SeenThis.

SeenThis appeared on the photo wall, had its own photo booth moment with a photo area during the evening and its own signature drink on the bar menu.

Presence during the evening

TUI.

TUI donated gift cards as the prize in the TUI quiz. 238 guests took part through the platform, and the winner was announced on stage during the evening.

ZYN.

ZYN was on site with its own stand by the dance floor during NEXT CENTURY, placed in the evening’s flow between the bar and the dance floor.

In the goodie bag

Publicis’ account managers offered their clients the chance to put products in the bag. 700 bags were packed with products from, among others, ACO, Löfbergs Lila, LEGO and Marabou. For the clients, the goodie bag became a sampling channel straight to the industry’s decision-makers.

3financial partners
238participants in the TUI quiz
700bags packed with clients’ products

Speakers and DJs

Content on stage, energy on the floor

The speakers were chosen to give the day weight, and they were announced one at a time. Each new name became its own news moment, with emails and reminders that built anticipation up to 25 September.

Moderated conversation on stage

The speakers

Mark RitsonDr. Jana WernerAndrew Tindall

Mark Ritson, Dr. Jana Werner and Andrew Tindall: three voices marketers around the world listen to, on brands, organisation and creative effectiveness.

“I love Sweden, I love Publicis.”

Mark Ritson

Publicis on stage

Between the speakers, Publicis’ own leaders took the stage. Each international speaker was paired with a counterpart from the group, and the conversation afterwards connected the content to Publicis’ clients.

Emma Thorp, CEO, Publicis Groupe Sweden & Denmark.

Welcomed the guests from the stage. She has led the group since 2021 and was named Best Communicative Leader at Stora Kommunikationspriset 2022.

Oskar Valdre, Managing Director, Leo Sweden.

Introduced and interviewed Andrew Tindall.

Lena Lindgren, Managing Director, Publicis Intelligence Sweden & Denmark.

Introduced and interviewed Jana Werner.

Sanna Britsman, Chief Strategy Officer, Publicis Groupe.

Introduced and interviewed Mark Ritson. She joined Publicis in 2026 from TikTok’s global headquarters in Singapore, where she led global planning.

Sophie Palmlund, Managing Director, Publicis Media Sweden.

Thanked the partners and led into the evening with Edith Piaf.

Publicis owned the relationship with the speakers. Kehitys secured their technical and graphic needs: headset and clicker, prompter, video in the presentations and a shared presentation template.

The evening’s line-up

Flyer for Tony ZouliasFlyer for Prof. StrangerFlyer for Heartless ParisFlyer for Heartless Paris with Akalex and Lil Rosy

The line-up was curated to give the party cultural credibility and connect Stockholm with Paris, where Publicis was founded.

Next chapter

03Production