
Preparation
Five months from booked venue to delivery. What guests experienced in a single day was built from hundreds of decisions about content, guest flow, design, technology, responsibility and budget.
The organisation
From seven to more than 200, and back
Kehitys is built to grow when an assignment requires it and shrink when it is done. The core is seven people with specialist expertise in complex project management, show calling, technology, stage, artist management, guest flow and digital development. Around them are specialists we have worked with for years, and during an assignment they are part of our team, with the same brief, the same running order and the same line of contact.
For Publicis 100 the team grew from seven people to 79 on the event day. Together with Grand Hôtel and Publicis’ own teams, more than 200 people worked on the same day. The evening after, Kehitys was back to seven.
What it meant for Publicis
One line of contact.
Publicis only dealt with key people at Kehitys who had the mandate to make decisions: Adde for the production and Aron for the clock. On the Publicis side, Tara Taghian had the same mandate.
Everyone knew their role.
Eleven functions each had an owner, and 25 people received their own role briefing, including Publicis employees. The leadership could be hosts instead of holding the production together.
No overhead.
Publicis pays for the team the assignment requires, not for an organisation that stands still between events.
Focus team of 5
Emma Thorp (sender and host, approved concept and design), Andreas Fyrlund (partner agreements and financing, partners and clients on site), Jimmy Bolander (guest list, client segments and seating), Tara Taghian (Client Lead with decision mandate on site and responsibility for all communication) and Katharina Hessling (Publicis’ own staff and goodie bags).
Core team of 7
Adde (Event Director, ultimately responsible), Aron (Show Caller and deputy Event Director, owned the clock and every cue), Lucas (Technical Manager), Tamalie (Stage Manager and set design), Etti (Artist Liaison), Julia (Floor Manager) and Rickard (the guest platform).
79 people from Kehitys and partners
Technology and stage. Lucas led the technical team with three specialist teams, together with Grand’s technical partner. Tamalie as Stage Manager and Etti as Artist Liaison.
Build and design. Mikael led the build team of carpenters, stage builders, carpet layers and furniture makers. Jhana and Alex on set design and 3D, Paloma on all graphics and a dedicated florist team on the flowers.
Guest flow and security. Julia and Leah with eight event hosts. Leon as Head of Security, with his team at the entrance and Grand’s twelve guards in the background.
Digital development. Rickard developed and ran the guest platform live during the day.
Content and photo booth. Robert, Sebbe and Lavan led the content team of six photographers, two videographers and three editors, and a separate team ran the photo booth.
Staffing on the day: Kehitys core team and hosts 16, security 4, technology and stage 18, build and strike 25, content, photo booth and floral 16. Grand Hôtel: 2 operations managers, 14 bartenders, 24 waiters, 12 dishwashers, 20 chefs, 6 in the cloakroom, 12 guards, 16 riggers and 9 cleaners.
How the organisation grew during the day
- Thursday 08.00
The build team goes in. The technical teams arrive in turn, the florists at 15.00 and Publicis walks through the space at 16.30.
- Friday 10.00
The Kehitys production team is on site. The press interviews Ritson at 11.00, followed by the soundcheck.
- 13.00–14.00
The technical team is at its stations, Publicis staff and the goodie bag team arrive, followed by photographers, hosts and guards.
- 17.15
About 60 people carry out 550 chairs and rebuild the hall in an hour.
- 18.30
The evening team takes over, with bartenders at six bars.
- 22.30
A separate team starts rigging Soho House.
- 00.00–03.00
Aron and Lucas lead the strike with Mikael and Grand’s riggers.
The guest list
Curated, name by name
The guest list was the project’s most important strategic tool. Jimmy Bolander and Publicis’ account managers chose the names client by client, and Kehitys managed the replies and follow-up in the guest platform.
1,028 people in five segments were invited: clients, prospects, media, influencers and employees in Sweden and Denmark. In August, 73 % of employees had replied but only 37 % of clients. Follow-up by each account manager turned it around: in the end, 181 of 441 invited clients accepted. A separate evening list of 88 names from media, talent and future employees kept the energy up as the seminar audience thinned out.
The guest platform
One system for the entire event
Most events run on a string of different systems: a sign-up form, an email tool, a paper guest list at the door, cloakroom tickets, tills at the bar and a photographer who emails a link a week later. Publicis 100 ran on a single system, and Kehitys built it from scratch.
An invitation that became a relationship
All 1,028 guests received a personal invitation with their own link. The link was not just a sign-up. It was the guest’s way into the whole anniversary, from June to the day after. That is where guests accepted, listed allergies and gave photo consent. That is where the programme arrived as speakers were announced, along with practical information before the day, the pass, the room assignment, the drink tickets and finally their own photo gallery. Guests never had to look for anything. Everything was already in the link.
All communication through one channel
Just over 5,000 emails in 17 versions went out from Publicis’ own sender, tailored to where each guest was in the process. Those who had accepted got the programme, those who had not replied got another chance, and those invited only to the evening got their own invitation. During the evening, communication with 549 guests was coordinated through a total of 1,913 messages and push notifications: which room to go to, when a drink was on offer and who had won.
The guards’ system and the bar’s till
The same platform was the staff’s working tool. Guards checked guests in with the QR code on their pass, with name search as backup. At peak, 166 guests came in within fifteen minutes. The bar worked as a cashless till. Guests chose a drink and the bartender scanned the pass with an iPad. No cash or cards were handled and no transactions went through Grand. Every drink was recorded: 1,952 drinks at six bars. That gave Publicis its own independent figure to check against the invoice. Unused tickets went back into the pool, so Publicis paid for what was actually served.
Real-time control
Because everything was in one system, the evening could be steered while it was happening. At 17.09 every guest received their room assignment at once. When the bar got too crowded, Bar 6 was opened. Two rounds of “A drink on Publicis” went out to more than 450 guests each, within minutes. The partners were visible directly in the bar menu.
Insights that would otherwise have been lost
The platform showed the response rate in time, and follow-up by each account manager meant that 181 of 441 invited clients eventually accepted. Publicis now knows who accepted, who attended, who took part in the competitions and who stayed into the evening, per client and per account manager. Data on arrivals, bar pressure and drink choices remains as a basis for the next event.
Competitions in the same link
Two competitions ran in the guest platform. In the TUI quiz, guests answered questions in their link, with TUI gift cards as the prize. In the Mini MBA competition, Mark Ritson donated a place on his course. 258 guests took part, and the winners were shown simultaneously in the platform and on the stage screens.

The platform is owned and maintained by Kehitys. It is built to be used again.
Brand identity
Leo wrote the guidelines. We brought them to life.
Leo created the anniversary’s brand guidelines, with the 100-year logo from Paris at the centre. Kehitys’ task was to turn them into something guests experienced. Paloma led the design, and the identity followed the guest through the entire journey.
Before the event.
The web platform and all emails, invitations, flyers for every speaker and artist, playlists and content for social channels.
At the entrance.
The logo on the carpet, black and gold from the first step, photo walls like the red carpet at a premiere, signage and wayfinding.
On stage.
The presentation template the speakers built their presentations in, screen graphics and name animations, and stage design in black and gold.
During the evening.
The DJ booth front, VJ graphics, menus, coasters, napkins and cloakroom tags.
In the details.
Stickers on the mirrors, all the way into the restrooms.
What went home with them.
The goodie bag, the letter, the lion and the Publicis 100 collection.
Afterwards.
The thank-you email, the photo gallery and the report you are reading now.


Set design
The thinking, and how it was approved
The scenography was planned room by room, in the order the guest encounters them. Everything was free-standing and adapted to a listed building.
3D sketch
Event day
3D sketch
Event day
3D sketch
Event day
3D sketch
Event dayA clear first impression
The logo on a carpet, black florals and gold walls. No queue, just one way in.
The photo wall after the cloakroom
Coats off first, then the photo. A clear photo wall to capture key people.
Clean and symmetrical
Three LED screens, black carpet and flowers on pedestals. Calm graphics between the speakers that did not compete with the content.
Where guests linger
A lounge by the bar and a photo booth with prints and a gold backdrop.
The details that carry the brand
Napkins, coasters, menu cards, mirrors and black flowers.
The last impression
A dedicated goodie bag station at the exit, separate from the cloakroom queue.
Design and production were gathered in a living deck that grew as decisions were made. Kehitys presented recommendations ahead of each deadline, and Emma Thorp approved on behalf of Publicis.
Everything that would stand in the building was also approved by Grand Hôtel.


The goodie bag
The lion that went home with them
The lion has been Publicis’ symbol for a hundred years. In September it took on a new form: a plush lion in a black T-shirt with 100 YEARS on the chest, made exclusively for the anniversary. It was the heart of the goodie bag, and the idea was that it would end up on desks and key rings among clients and employees long after the evening.



The whole goodie bag was built on the same idea: it should live on. We did not want a bag that gets thrown away in the cloakroom on the way home. We wanted a format Publicis can keep using. The bag was positioned like a luxury brand: 300 g premium board, matte soft touch, the logo embossed in gold foil, cotton ribbon handles and reinforced corners. It is made to be used again, and Publicis can fill it with clients’ products for future sampling and seeding.
Each bag also contained a personal letter on heavy premium paper in a white envelope with gold embossing, stickers with the 100-year logo in gold on matte black, and a reflective lion.
A bag that also became a channel
Publicis’ account managers offered their clients the chance to put products in the bag, and the goodie bag became a sampling channel for clients on the night itself. Kehitys organised the logistics to the Publicis office, where Katharina Hessling, Emmy and Mikalinn, together with interns, received the products and packed 700 bags. They were transported to Grand and handed out at the exit in three waves. The surplus from the collection remains with Publicis for seeding.
Kehitys designed everything together with Publicis, from the first sketch to finished print files. Suppliers were engaged in July and August, when most of them were closed for the holidays. Through Kehitys’ network, everything was ready on time. Paloma also designed the Publicis 100 collection.
250 books were handed out personally by account managers to selected clients.
Working with Grand
A historic house. A purpose-built solution.
Everything was planned closely with Grand Hôtel. A lot had to be turned and repackaged to fit both the building’s constraints and Publicis’ goals.

Kehitys held five planning meetings with Grand and went through every part of the day: flows, capacity per room, food and drink, technology, cloakroom and the changeover.
Some of the questions solved together: where 550 chairs would go during the changeover, how the raisable floor could be operated without guests in the room, how the cloakroom would hold both day and evening guests, and how the upper floor would receive guests during the walking dinner.
Partners
Partners who became part of the whole
Andreas Fyrlund secured the partner agreements. Kehitys’ task was to make the partners part of the experience, not logos on a wall. Each partner was given a role that suited them and gave the guests something.


Financial partners
Amazon Ads, lead partner.
Amazon Ads brought Dr. Jana Werner to the stage and presented her to Publicis’ clients and partners. They were the largest and first among the partners on screen, and their name was carried through communication before and after the day.
Bonnier News.
Bonnier News was part of all communication before and during the day and activated the largest bar on site. Its signature drink had ingredients and colours that reflected Bonnier News’ visual identity, so the brand was in the glass of every guest who ordered it.
SeenThis.
SeenThis appeared on the photo wall, had its own photo booth moment with a photo area during the evening and its own signature drink on the bar menu.
Presence during the evening
TUI.
TUI donated gift cards as the prize in the TUI quiz. 238 guests took part through the platform, and the winner was announced on stage during the evening.
ZYN.
ZYN was on site with its own stand by the dance floor during NEXT CENTURY, placed in the evening’s flow between the bar and the dance floor.
In the goodie bag
Publicis’ account managers offered their clients the chance to put products in the bag. 700 bags were packed with products from, among others, ACO, Löfbergs Lila, LEGO and Marabou. For the clients, the goodie bag became a sampling channel straight to the industry’s decision-makers.
Speakers and DJs
Content on stage, energy on the floor
The speakers were chosen to give the day weight, and they were announced one at a time. Each new name became its own news moment, with emails and reminders that built anticipation up to 25 September.

The speakers



Mark Ritson, Dr. Jana Werner and Andrew Tindall: three voices marketers around the world listen to, on brands, organisation and creative effectiveness.
“I love Sweden, I love Publicis.”
Mark Ritson, keynote speaker. Founder of the Mini MBA in Marketing, which has trained more than 35,000 marketers, and former professor at London Business School and Melbourne Business School. He has twice won PPA Columnist of the Year. His keynote was tailored for Publicis. In the morning he was interviewed by the press, and after his session he named the winner of the Mini MBA competition, in which 108 guests took part.
Dr. Jana Werner, presented by Amazon Ads. Executive in Residence at Amazon Web Services and co-author of The Octopus Organization (Harvard Business Review Press, 2025). She has lectured at Oxford and LSE and spoke about how organisations manage to change continuously.
Andrew Tindall, System1. Chief Growth Officer at System1 and author of The Creative Dividend, produced together with Effie. He is known for research into how creativity and emotion drive effectiveness, and for the idea of compound creativity.
Publicis on stage
Between the speakers, Publicis’ own leaders took the stage. Each international speaker was paired with a counterpart from the group, and the conversation afterwards connected the content to Publicis’ clients.
Emma Thorp, CEO, Publicis Groupe Sweden & Denmark.
Welcomed the guests from the stage. She has led the group since 2021 and was named Best Communicative Leader at Stora Kommunikationspriset 2022.
Oskar Valdre, Managing Director, Leo Sweden.
Introduced and interviewed Andrew Tindall.
Lena Lindgren, Managing Director, Publicis Intelligence Sweden & Denmark.
Introduced and interviewed Jana Werner.
Sanna Britsman, Chief Strategy Officer, Publicis Groupe.
Introduced and interviewed Mark Ritson. She joined Publicis in 2026 from TikTok’s global headquarters in Singapore, where she led global planning.
Sophie Palmlund, Managing Director, Publicis Media Sweden.
Thanked the partners and led into the evening with Edith Piaf.
Publicis owned the relationship with the speakers. Kehitys secured their technical and graphic needs: headset and clicker, prompter, video in the presentations and a shared presentation template.
The evening’s line-up




The line-up was curated to give the party cultural credibility and connect Stockholm with Paris, where Publicis was founded.
Tony Zoulias, Stockholm. One of Stockholm’s most experienced DJs, with roots in the city’s club scene from Café Opera to Spy Bar. He opened the evening at 18.30.
Prof. Stranger, Stockholm. DJ and producer working between house, garage and breaks. His debut album Love Is Forever was nominated for a Grammis in 2023 in the Electronic/Dance category.
Heartless Club, Paris. The club concept that since 2018 has mixed hip hop, afro, R&B, house and baile funk, on stages such as Palais de Tokyo and La Machine du Moulin Rouge. Coming to Stockholm were Lil Rosy, one of the club’s regular DJs, and Akalex, DJ and producer with a Latin-influenced club sound.
The afterparty. Alexander Urombi and Oumou Bayo played at Soho House.
Kehitys handled booking, travel, accommodation and riders.
